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There’s definitely not one long whole vibe, it definitely has these distinct parts, but it holds together.ĪD: Speaking of the album art, it’s way out there.Ĭhris Forsyth: With the artwork, that was a way to communicate that, in a graceful way. And, ultimately, I do think it hangs together as a piece. And through the course of recording we kept going back and forth, saying, “Maybe we should boil it down” and “No, let’s go big,” but eventually I sat down to listen to all the material and I called up Mike and was like, “Uh-oh, we didn’t make one record, we made two separate albums.” And so I was having a bit of an artistic freak-out but Mike said, “Oh, well, perfect, we’ll just put both out at the same time.” And that made sense to me it’s like the first two Syd Barrett records. And we thought maybe we could do some stuff that’s a little more experimental. So, I spoke to Mike Quinn, who runs No Quarter, and we talked about shooting for a double record, just trying to do something bigger.
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So, the thought of going into another recording was that I want to keep moving and keep changing and also keep challenging the band. Solar Motel was the album that spawned the band and then that band recorded Intensity Ghost. Chris Forsyth: Well, I didn’t want to make the same record again, and the last couple records were pretty distinct from each other.